Posts Tagged ‘working in a series’

Bungle Bungles, 3

Thursday, April 23rd, 2015

 

This afternoon I have been piecing – that is, cutting out different shaped pieces of fabric and sewing them together, which I know puzzles many bystanders around those of us who make ‘patchwork’ things including quilts.   Fabric is just a raw material to some textile artists, and thus no different from a skein of wool, a tube of oil paint,  a block of wood or stone, all to be worked by people with appropriate skills.  I’ve always loved sewing, and love piecing as a technique for surface design, which produces contemporary patchwork that despite appearances does in fact have connection with the traditional geometric patterned designs that most people think of as ‘patchwork’.  Patchwork, traditional and contemporary, is often backed with a layer or two of fabric and quilted by hand or machine to hold it all together in a completed object, usually bedding or clothing for warmth.

piecing #2

 

This pictured segment continues some piecing I began a couple of weeks ago, before undergoing surgery for a shoulder prosthesis.  My doc did say use the hand as much as possible, and this activity is well within the restrictions – of holding nothing heavier than a cup of tea, and not to try to raise the arm above shoulder level – well just now I can’t get it anywhere near the shoulder so there’s no danger there.  All the newly constructed left arm has to do is some gentle holding of small pieces of fabric as the machine slowly sews, and my other (good) arm whips out the pins, flying back and forth from the pin cushion as the machine gradually sews around the curved edge.  It’s all rather like setting in a sleeve.  Even as I was doing this today, a brainwave came for another piece in this theme, inspired by what I read recently about the structure of the sandstone karst formations in the The Bungle Bungles.   So as soon as I finish putting all these pieces together, I’ll start another to incorporate my new idea.  However, right now its time for a change of activity to include arm swinging and shoulder shrugging followed by a cup of tea.

From The Series Of The Same Name Comes Ebb&Flow – #24.

Wednesday, June 11th, 2014

Ebb & Flow 24 web

Ebb & Flow 24,  2014. 

A bit erosional in character.  Despite some real differences with others preceeding it, this one defnitely belongs in this series much more so than I felt while making it.

There has been a bit of discussion on the SAQA and Quiltart lists about working in a series, what might be the importance of working in a series, how you go about it, what are the guidelines to working in a series, how do you set up a series., even some asking ‘Should I be working in a series do you think?’    Some people get so analytical over this stuff that I don’t think needs much analysis; while others write books and teach courses on working this way.   Everyone knows when the work of another artist, contemporary or historic, falls into a series(s)    Working in a series is nothing new, nor does it guarantee that your work will be accepted or acclaimed if you do!  But everyone knows a series when they see one – it could be loosely described as a group of art works linked by some theme or technical factor that underlies or defines a cohesive body of work.  From personal experience I know that to be involved in one is enriching and satisfying.  I don’t seem to plan mine as in set out a plan, they just lead from one to another, and I just find myself in one after 2 or 3 related pieces.  I continue with a theme until I feel I’m done with it.  One or two I feel I’m finished with (Colour Memories)  others not so at all even though I may not be working in that group just now  (Ancient Expressions) : I reserve the right to say something more some time!

How thrilling was the announcement the other day that the Rembrandt portrait at Buckland Abbey in Devon UK has been shown to be a self portrait dating back to 1625 when he was in mid 20’s.  Until very recently it had always been thought to be in his style but done by one of his students.  It’s suddenly worth a heck of a lot of more money in nominal terms – but, of course, the abbey will never offer it for sale! But the larger amount is relevant for insurance purposes; and confirmation of the C17 Rembrandt selfie will bring a large increase in visitor numbers and revenue, I imagine.   Anyway, Rembrandt painted over 40 self portraits, quite a series you’ll agree – and many other artists painted the Old Master, too, so there are a lot of images of him – we must have a pretty good idea of what he looked like in pre-photography days.

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