Posts Tagged ‘auditioning’

How Does a New Material Handle?

Monday, October 28th, 2024

My regular readers know I love a bit of glitter! Last weekend I went to a big store here in Montevideo that stocks all kinds of things for the craftsperson and upholsterer including leather, batting, threads, zippers, crochet and macrame supplies. Strangely enough they don’t stock the needles and embroidery thread I was hoping for… but there’s another merceria nearby that will be open when I’m in that zone later in the week. Even without those things though, Centro Tapicero is a veritable Alladin’s Cave for people like me. Just when I thought I was ready to go to the cashier, I spotted this fabric – and just had to buy the minimum 0.5m x 1.5m cut to try it out for, um, something.

Pewter colour, the surface of this polyester is metallic and to me, irresistable.

It’s a metallic finish on a very fine black jersey knit base – the surface looks a little like sharkskin satin perhaps – anyway quite irresistable. Once I got home of course I did some sample making to see how it handles. It’s a lot easier to handle than leather, and as I’m in the middle of another project just at the moment, I have time to think about how I’m going to use it.

I cut some of my beloved squares and wavy bits and, using a pewter coloured thread ‘tacked’ down some shapes into position. Pin and needle holes do show.

Here’s what did and found with this material

  • Far left – using a long stitch using pewter coloured thread, it was easy enough to machine sew down BUT wrinkling and stretching occurred when I sped up.
  • Wavy bit – hand tacked into place and stitched over with a sewing machine red thread and a perle #8 in the pewter colour…. hmmm – I don’t care for the stitching showing underneath, but potentially useful to know.
  • Like fine leather, it can be more easily pinned and hand sewn, but marks show if it is unpicked.
  • The squares -were stitched with, from L-R: perle #8, neon red machine embroidery thread, black perle #12, metalic silver, but the effect of this thread was blah – not significant enough to bother with.
  • the wavy bit from lower left corner diagonally up is glued down – there’s no apparent damage from the glue on the surface of this material, so full marks of approval for that – sometimes the glue causes wrinking and distortion on similar fabrics.
  • Ironing: at even a medium heat the iron caught on the surface of the hotplate; but turned over and ironed from the back at top heat all survived just fine; and ironing with top heat and using a teflon sheet there seemed to damage either. This augurs well!

The question now is – should I return this week and buy some more?

Pandemic Pattern 3 – Auditioning Colour And Stitch

Thursday, December 31st, 2020

The pandemic pattern on my mind at the moment is that miniscule unit of the highly infectious corona virus that emerged in China late last year, swept through Earth’s human population and turned our normal lives upside down. Everyone has already experienced at least some effect of inconvenience and anxiety, and the illness itself is causing pain, death and sorrow. The majority of patients recover, but some of those people are left with residual physical and/or neurological effects.

Thanks to the wonders of electron microscopy we’re all too familiar with what the virus looks like. The particles of virus are not molecules or cells but virions, represented everywhere as a round thing with spiky bits. I have always intended to represent this PP in some shocking colours to convey the severity of its threat.

Colour+black is always dramatic. I love colour on grey, too, but the effect is softer.

Thinking about colour and the virus, I googled and found my way to an interesting article on how the colour in those graphic images is completely due to artistic licence.  Electron microscope images of the virus are seen in shades of grey only, as the virions’ particle size is many times smaller than what can be affected by light waves to appear coloured. Adding colour to the images draws our attention, making them more scary, so my instinct to use flourescent and bright colours for drama was spot on.

Auditioning From The Scrap Bag

Monday, August 3rd, 2020

I’m starting a new larger piece, aiming to submit to Quilt National. Entries have been open for months, but I’ve only just focused in the past few days. Most of the times I have been selected for QN, I’ve made my entries in the last few weeks before closing, so I’m more or less on my accustomed schedule 😉 With the book club and my mahjong group in recess for the duration, there’s little social activity to interfere with it !!

Auditioning from the scrap bag

Late last week I began dabbling with samples and fabrics, but for one reason and another, none of these urged me to continue in this vein.

Left – strips of pieced stripes; Upper right: what can I say; Lower right: segments oversewn with (a) cream and (b) flourescent red – too much wrong with this idea.

At first I thought cream background with cream thread would be great … but the result is quite blah, though it took me 3 different samples to be convinced. I do think that would look lovely in greys or gentle sunset/sunrise colours, even though ‘soft colours’ aren’t my thing. Never say never. Slices of pieced strips aren’t ‘it’ this time, either, though I sewed one piece with cream, another with gold and the third with light silver/gold. Metallic threads definitely need a dark background to literally shine. Finally, the upper right hand sample needs more experimenting: there’s no drama, although there could be, and this idea needs more work, which would take time I don’t have.

Late on Sunday afternoon, I found some marvellous overdyed fabric that I thought a whole lot of red and purple/darkish shapes would look great on. I assembled the reds, called it a day and was all set to start stitching today. But in the shower early this morning, a different image came to mind; one with serious meaning and an apt title. The result was I felt I had to totally change my fabric ideas again, for the third time. I think this might be the first time I have ever had a title for a quilt before the quilt is actually under way.

The fact that I found some fabric I’d completely forgotten about, and by sheer fortune had a reel of matching thread, convinced me I had done the right thing by changing the fabrics/thread combo yet again. It took several hours to put the previous lots of fabric away, and then turn out the scrap bag to pull pieces of the things I now needed: hand dyed fabrics in warm earthy colours, with no commercial prints and, interestingly, no commercial plains this time- they just won’t work, even though I normally mix them all. However, I found lots of scraps of hand dyed fabrics plus some yardage of several colours, so now I have plenty of ironed fabrics gathered ready to do a sort of mosaic type of design using the oversewn technique that I’ve recently found so agreeable.

This quilt has a dark theme, one to do with this dreadful pandemic, so there will be no clear bright colours, and nothing with any white in the fabric. It’s not that I’ve become stricken with depression or anything, it just wouldn’t be appropriate, given the title and imagery.

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